Why your product shots need one light, not five
Most beginner product photography fails because it is over-lit. Here is the single-source setup we use for e-commerce sets that have to match.

The instinct with a new lighting kit is to use all of it. The result is a product with four competing shadows, no clear form, and no chance of matching the next shot.
One source, one shadow
A single large source produces one shadow, which tells the eye where the light is coming from and therefore what shape the object is. Everything else is fill, and fill should be a bounce card before it is a second light.
Why this matters for e-commerce
Consistency beats drama on a product grid. One light, one height, one distance is a setup you can rebuild identically in three months when the range expands — five lights is a setup you will never reproduce exactly.
When to break it
Hero images. One frame, in the campaign, where the product gets smoke, a rim light and room for a headline. That image is doing a different job from the other forty.
Keep reading

How to plan a wedding timeline your photographer will love
Build the day backwards from sunset, put slack where it actually helps, and stop scheduling group photos at the worst possible moment.

Shooting photo and video with one crew, without compromise
The usual objection is that stills and motion need different people. Here is how we run both on one shoot day and why the output matches better for it.